When Ofori Amponsah announced the Odo Nwom remix featuring Stonebwoy and KiDi, one question immediately came to mind: was this decision influenced by the overwhelming success of Kwabena Kwabena’s Aso remix?
While there’s no public confirmation from Ofori Amponsah or his team, the timing makes the comparison difficult to ignore.
The Aso remix became one of the most talked-about Highlife collaborations in recent times. Although the song featured several talented artistes, many fans singled out Stonebwoy’s verse as the standout moment. His delivery, lyrical depth and effortless fusion of reggae-dancehall with Highlife gave the song fresh appeal. Across social media platforms, his verse was widely shared, quoted and praised, introducing the remix to an even broader audience.
That reception may have shown veteran musicians that Stonebwoy has a unique ability to breathe new life into classic Highlife songs without taking away from their original identity. Instead of trying to modernise the songs completely, he complements them while still bringing his own signature style.
If that was part of the thinking behind the Odo Nwom remix, it would make perfect sense. Ofori Amponsah is one of Ghana’s greatest Highlife songwriters, and Odo Nwom remains one of his most cherished songs. Bringing in artistes who appeal to today’s generation, while preserving the song’s emotional depth, is a smart way to extend its lifespan.
Stonebwoy’s inclusion also reflects a pattern that has become increasingly noticeable. Over the years, he has demonstrated that he is one of the few contemporary artistes who can comfortably collaborate with Highlife legends. Whether performing alongside veteran musicians or sampling elements of traditional Ghanaian music, he often approaches such collaborations with respect for the original work.
This raises another interesting point: has Stonebwoy become the go-to artiste for reviving Ghanaian classics?
Many would argue that he has earned that reputation. His ability to bridge generations means that older listeners appreciate his respect for the music, while younger audiences connect with his modern sound. That balance is not easy to achieve, and it may explain why veteran artistes continue to see value in working with him.
Of course, Stonebwoy isn’t the only reason the Odo Nwom remix is generating excitement. KiDi’s smooth vocals and proven success in Afrobeats and Highlife also make him a fitting addition. Together, Stonebwoy and KiDi bring two different audiences to the project, giving the remake both commercial appeal and musical diversity.
Ultimately, whether Ofori Amponsah was inspired by the success of Aso or simply believed Stonebwoy was the right fit, one thing is becoming increasingly evident: Stonebwoy has positioned himself as one of the most dependable artistes when it comes to reimagining classic Ghanaian songs. His collaborations continue to prove that old hits can find new life without losing the essence that made them timeless.
If this trend continues, it wouldn’t be surprising to see more Highlife legends turn to Stonebwoy whenever they decide to revisit their timeless classics.
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Ofori Amponsah announces ‘Odo Nwom’ remix featuring Stonebwoy and KiDi
